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PX Sunmake Cultures Foundation’s Traditional Architectural Restoration Project

善美的建築修復計畫

To preserve and sustain the profound cultural and artistic value embodied in the park’s traditional architecture, the PX Sunmake Cultures Foundation has initiated the Traditional Architectural Restoration Project. By conducting surveys of structural conditions and identifying damages, the foundation engages skilled craftsmen specializing in restoration to work on-site. All projects are carried out in accordance with traditional construction methods, ensuring that the authentic appearance of these heritage buildings is maintained.

This approach not only safeguards architectural integrity but also allows visitors to closely observe the intricate craftsmanship of restoration. In doing so, the project fosters the continuation of artisanal traditions and promotes appreciation for the aesthetics of traditional architecture.

|Restoration Projects by Year|

YearLocationProjectCraftsmen & Restoration Team
2019Scholar Huang’s ResidenceKoji Pottery (New Work)Koji Pottery (交趾作): Kuo Chih-Lang – Certified Traditional Craftsman, Ministry of Culture
2019Guanghsiao ShrineKoji Pottery (New Work)
Koji Pottery (交趾作): Kuo Chih-Lang – Certified Traditional Craftsman, Ministry of Culture
2019–2020Scholar Huang’s Residence
Gilding and Painting Renewal
Painting (彩繪作): Chou Meng-Hsun – Certified Traditional Craftsman, Ministry of Culture
Lacquer Removal & Waterproofing: Jong Mao Co., Ltd.
Relief Carving (鑿花作): Chen Pi-Hui – Certified Traditional Craftsman, Ministry of Culture
Carpentry (木作): Wu Ching-Hsiang
2020–2021Wenchang TempleGilding Lacquer Removal & Waterproofing: Chiu Chun-Hsin
Support Staff: Chang Chien-Hung, Pai Shu-Pei, Tseng Tsang-Sung, Chen Hsin-Jan
2020–2021Wenchang Temple
Roof Tile Restoration
Tile Work (瓦作): Juan Neng-Chieh
Support Staff: Chuang Ching-Shui, Chuang Teng-Lin
2020–2021Tudigong TempleRoof ReconstructionTile Work (瓦作): Juan Neng-Chieh
Support Staff: Chuang Ching-Shui, Chuang Teng-Lin
2021Opera Stage
New Painting
Painting (彩繪作): Chou Meng-Hsun – Certified Traditional Craftsman, Ministry of Culture
2022Wenchang Temple
Wall Tile Restoration
Tile Work (瓦作): Tai Chin-Chang
2023–2024Guanghsiao ShrineWoodwork & Painted Surface Cleaning
Execution Unit: Shao Ching-Wang – Director, Department of Heritage Arts Conservation, NTUA
2024Wenchang StreetNew Koji Pottery & Cut-and-Paste Mosaic Zodiac Figures and CharactersMosaic (剪黏作): Hsu Wen-Pi, Su Ying-Cheng
Koji Pottery (交趾作): Kuo Chih-Lang – Certified Traditional Craftsman, Ministry of Culture
2025Wenchang StreetNew Koji Pottery & Cut-and-Paste Mosaic Zodiac Figures and CharactersExecution Unit: Tsan-Ching Traditional Architecture Research Studio
2025Guanghsiao ShrinePost-Earthquake Restoration (after the 2025 Hualien–Taitung Earthquake)Execution Unit: Tsan-Ching Traditional Architecture Research Studio
2025Scholar Huang’s ResidenceWall and Roof Tile Restoration
Execution Unit: Tsan-Ching Traditional Architecture Research Studio
2025Wenchang Temple
Roof Painting Restoration
Execution Unit: Tsan-Ching Traditional Architecture Research Studio

|Traditional Craftsmanship in Architectural Restoration|

The restoration of traditional architecture involves a wide range of specialized crafts to ensure that historic structures are preserved with their original techniques and structural integrity. With the growing importance of cultural preservation, these traditional skills continue to play a vital role in safeguarding and revitalizing heritage buildings.

The artisans responsible for these works are formally known as “Sifu” (司阜)—highly respected masters who preserve and transmit architectural heritage. With their refined skills and decades of experience, they create architectural works of enduring historical and artistic value.

  • ●Timber Structural Carpentry (Dà Mù Zuò 大木作): Responsible for primary structural elements such as beams, columns, and interlocking brackets in temples and traditional architecture. (Photo: Scholar Huang’s Residence)大木作
  • ●Fine Carpentry (Xiǎo Mù Zuò 小木作): Produces finely crafted components such as furniture, doors, windows, and screens. (Photo: Scholar Huang’s Residence)小木作
  • ●Relief Carving (Záo Huā Zuò 鑿花作): Involves chiseling intricate patterns and motifs into wood surfaces, requiring precision and refined handcraftsmanship. (Photo: Wenchang Temple)鑿花作
  • ●Tile Work (Wǎ Zuò 瓦作): Laying and arranging roof tiles for proper drainage and aesthetic harmony, based on architectural design. (Photo: Opera Stage Roof)X
  • ●Clay Sculpture (Ní Sù Zuò 泥塑作): Modeling deities, decorative sculptures, and architectural details using clay and plaster. (Photo: Wenchang Street)泥塑作
  • ●Cut-and-Paste Mosaic (Jiǎn Nián Zuò 剪黏作): Creating vivid decorative motifs using cut pieces of colored ceramic, glass, or shells. (Photo: Wenchang Street)剪黏作
  • ●Koji Pottery (Jiāo Zhǐ Zuò 交趾作): Handcrafted pottery shaped, carved, painted, and fired to produce richly colored and textured works. (Photo: Guanghsiao Shrine)交趾作
  • ●Painting (Cǎi Huì Zuò 彩繪作): Applying vibrant, layered patterns onto wood carvings, doors, windows, and furniture, emphasizing depth and color harmony. (Photo: Opera Stage)彩繪作
  • ●Stone Carving (Shí Diāo Zuò 石雕作): Creating detailed figures, flora, deities, and motifs using natural stone. (Photo: Wenchang Temple)石雕作
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